The Seven Natural (Complete)"Swaras" or Tones are: Sa Re Ga Ma Pa Dha Ni
Notice the following terms related to the notes !!!
- All upper case letters refer to the "Shuddha Swaras" or natural tones.
Example,R G D N. - All lower case letters refer to the "Komal Swaras". Example, r g d n.
- For 'Ma', m refers to the natural one and M refers to the 'Tivra or Kori Ma'.
- The upper octave notes are suffixed by the ' sign. Example, S' R' G' m' P' D' N'.
- The lower octave notes are prefixed by the ' sign. Example, 'S 'N 'D 'P 'm 'G 'R.
- Thaat can be defined as the root or parent raga from which another raga (child) can be derived. Example, 'Jaunpuri' derived from 'Asavari'. There are about 10 Thaats: Asavari, Bhairav, Bhairavi, Bilawal, Kafi, Kalyan, Khamaj, Marwa, Purvi, Todi.
- Aarohana is the ascending note pattern and Avarohana is the descending note pattern.
- The Aarohana and Avarohana of the thaat ragas are available as MIDI files (in B-flat). Click on these ragas to hear them (if your computer supports MIDI playback).
The following ragas have complete (all 7) notes and the Aarohana and Avarohana are Monotonic (straight).
| Hindustani Raga | Carnatic Raga | Aarohana (Up) | Avarohana (Down) | Time | Thaat |
| Ahir Bhairav | Chakravaham | S r G m P D n S' | S' n D P m G r S | Pre-Dawn | Bhairav |
| Bhairav | Mayamalava Gowla | S r G m P d N S' | S' N d P m G r S | Morning | Bhairav |
| Bhairavi | Sindhu Bhairavi | S r g m P d n S' | S' n d P m g r S | Dawn | Bhairavi |
| Kalyan | Mecha Kalyani | S R G M P D N S' | S' N D P M G R S | Evening | Kalyan |
| Jaunpuri | Jhonpuri | S R m P d n S' | S' n d P m g R S | Morning | Asavari |
| Kafi | Kharaharapriya | S R g m P D n S' | S' n D P m g R S | Night | Kafi |
| Kalingra | Mayamalavagaula | S r G m P d N S' | S' N d P m G r S | Late Night to Dawn | Bhairavi |
| Kirwani | Kiravani | S R g m P d N S' | S' N d P m g R S | Night | Melakaratha Raga |
| Bilawal | Dheera Shakarabharanam | S R G m P D N S' | S' N D P m G R S | Morning | Bilawal |
| Latangi | Latangi | S R G M P d N S' | S' N d P M G R S | - | Melakaratha Raga |
| Nata Bhairav | Sarasangi | S R G m P d N S' | S' N d P m G R S | Morning | Bhairav |
| Purvi | Kamavardhini | S r G M P d N S' | S' N d P M G r S | Dusk | Purvi |
The following ragas have missing notes (does not have all 7 notes) but have straight Aarohana & Avarohana
| Name of Raga | Carnatic Raga | Aarohana (Up) | Avarohana (Down) | Time | Thaat |
| Abhogi Kanada | Abhogi | S R g m D S' | S' D m g R S | Night | Kafi |
| Asavari | Nata Bhairavi | S R m P d S' | S' n d P m g R S | Morning | Asavari |
| Bairagi | Revati ? | S r m P n S' | S' n P m r S | Morning | Melakaratha Raga |
| Bibhash | Bauli | S r G P d S' | S' d P G r S | Morning | Kalyan |
| Bageshri | Bageshri, Sudha Bhairavi | S R g m D n S' | S' n D m g R S | Night | Kafi |
| Bhimpalashri | Abheri or Karnatakadevagandh ari | 'n S g m P n S' | S' n D P m g R S | Late Afternoon | Kafi |
| Bhupali | Mohanam | S R G P D S' | S' D P G R S | Evening | Kalyan |
| Champakali | Ketakapriya | 'n S G M P n S' | S' n D P M G R S | Night | Kalyan |
| Chandrakauns | Chanrakauns or Kadaram | S g m d N S' | S' N d m g S | Night | Kalyan |
| Durga | Shuddha Saveri | S R m P D S' | S' D P m R S | Night | Bilawal |
| Hangshadhwan i | Hamsadhwani | S R G P N S' | S' N P G R S | Late Evening | Melakaratha Raga |
| Hindol | Sunada Vinodini | S G M D N S' | S' N D M G S | Seasonal | Marwa |
| Jogiya | Malahari | S r m P d S' | S' N d P d m r S | Morning | Bhairav |
| Kalavati | Valaji | S G P D n S' | S' n D P G S | Late Night | Melakaratha Raga |
| Khamaj | Hari Kambhoji | S G m P D N S' | S' n D P m G R S | Late Night | Khamaj |
| Madhuvanti | Dharmavathi | 'N S g M P N S' | S' N D P M g R S | Evening | Melakartha Raga |
| Malkaush | Hindolam | S g m d n S' | S' n d m g S | Night | Bhairavi |
| Multani | Gamaka Samandam | 'N S g M P N S' | S' N d P M g r S | Late Afternoon | Todi |
| Rageshri | Nattai Kurinji | S G m D N S' | S' N D m G R S | Night | Khamaj |
| Shivranjani | none | S R g P D S' | S' D P g R S | Night | Kafi |
| Sudh Kalyan | Mohana Kalyani | S R G P D S' | S' N D P m G R S | Night | Kalyan |
| Sohini | Hamsanandi | S G M D N S' r' S' | S' N D N D, G M D M G M G r S | Late Night | Marwa |
| Tilang | Vedandagamana | S G m P N S' | S' n P m G S | Night | Khamaj |
| Todi | Subha Pantuvarali | S r g M d N S' | S' N d P M g r S | Morning | Todi |
| Vrindavani Sarang | Pushpalathika | S R m P N S' | S' n P m R S | Afternoon | Kafi |
The following ragas have notes (either complete or missing) with Monotonic Aarohana and Non-Monotonic Avarohana
| Name of Raga | Carnatic Raga | Aarohana (Up) | Avarohana (Down) | Time | Thaat |
| Bihag | Behag | S G m P N S' | S' N D P M G m G R S | 9 pm till midnight | Bilawal |
| Darvari Kanada | Darbari Kanada | S R g m P d n S' | S' d n P m P g m R S | Late Night | Asavari |
| Desh | Kedara Gowla | S R m P N S' | R' n D P m G R G S | 9 pm till midnight | Khamaj |
| Hamir/Hamvir | Hamir (Kalyani) | S G m P N S' | S' N D P G M P G m R S | Late Evening | Kalyan |
| Manj Khamaj | none | S G m P D N S' | S' n D P M P m G R S | Late Night | Khamaj |
| Maru Bihag | Kanada | S G m P N S' | S' N D P M P G m G R S S m G M G R S | Night | Kalyan |
| Shyam Kalyan | Saranga | 'N S R M P N S' | S' N D M P M R G m R G 'N S | Evening | Kalyan |
The following ragas have notes (either complete or missing) with Non-Monotonic Aarohana and Avarohana.
| Name of Raga | Carnatic Raga | Aarohana (Up) | Avarohana (Down) | Time | Thaat |
| Bahar | Kanada | 'N S g m P g m D n S' | S' n P m P g m R S | Spring | Purvi |
| Basant | Vasantha | S G m d r' S' | S' N d P m G m G r S | Spring | Purvi |
| Bhatiyar | Chayatarangini, Sama | S D P D m P G M D S' | r' N D P m P G r S | Pre Dawn | Marwa |
| Chayanat | Saranga | S R G m P D N S' | S' N D P M P D P G m R S | Late Evening | Kalyan |
| Gour Malhar | none | S G R m G P M D P N D S' | S' N D P D M P G m R P R S | Afternoon - Monsoon | Kafi |
| Gour Sarang | Gouda Saranga | S R g M R P m P D S' | S' D n P m P m g R S | Late Afternoon | Kalyan |
| Gurjari Todi | Shekharachandrika | 'N S r g M g M d n S' | S' N d M G rG r S | Morning | Purvi |
| Jaijaiwanti | Dhwijavanthi | S R g R S, 'D 'n 'P, R, G m P, N S' | S' N D P, D m, G R g R S | Night - Monsoon | Khamaj |
| Lalit | Surya Lalith | 'N r G m M m G M d S' | r' N d M d M m G r S | Late Night to Morning | Marwa |
| Marwa | Gamanasrama | 'N r G M D, N D S' | r' N r' N D, M G r, 'N 'D S | Night | Marwa |
| Megh | Madhyamavati | S m R m P n S' | S' n P m R m 'n R S | Night - Monsoon | Kafi |
| Miyan Ki Malhar | Kanada | R m R S m R P n D N S' | S' n P m P g m R S | Night - Monsoon | Kafi |
| Pahadi | Pahadi | S R G P D P D S' | N D P G m G R S 'N 'D 'P 'D S | All Time | Bilawal |
| Patdeep | Patdeep | 'N S g m P N P S' | S' N D P m g R S 'N S G R S | Evening | Kafi |
| Pilu | Kapi | 'N S G m P 'n D P S' | S' N d P d P m g R S 'N S | All Time | Kafi |
| Puria | Hamsanandi | 'N r S G M D N r' S' | S' N D M G r S | Night | Marwa |
| Puria Dhaneshri | Kamavardhini | 'N r G M P d P N S' | r' N d P M g M r G r S | Evening | Purvi |
| Sudh Sarang | none | S m R M P N S' | S' N D P M P D P m R S | Early Afternoon | Kafi |
| Tilak Kamod | Nalina Kanthi | 'P 'N S R G m R m P N S' | S' N P D m G R G S | Night - second part | Khamaj |
hindole -- spring morn love
deepaka -- even summer compassion
megha raga -- rainy courage
bhairava -- morn aug/sep/oct
sriraga -- autumn night pure love
malkounsa -- midnite winter valor
22 srutis
7 notes
Do -- green bird/beast cry, peacock
Re -- red skylark
Mi -- golden goat
Fa -- yellow white heron
So black nightingale
la yellow horse
Si elephant all colors combined
minor
minorare
72 scales
3 scales major
120 talas
bharata 32 lark
human movement double time of walking, triple time of respiration when inhaleis twice exhale
Song: maal marugan (varNam)
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maal marugan (varnam)
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi
Composer: Tanjavur Shankara Iyer
Language: Tamil
pallavi
mAl marugan murugan SaNmukhan manam kAttaruL dayALan
anupallavi
vEl aNindu viLngubavan mayilEri vandaruLbavan
caraNam
anbAnavan azhagan
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Other information:
Lyrics contributed by Lakshman Ragde.
=========
Song: maamavatu shree - Click to listen (Preetham Adiga)!
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maamavathu shrI
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi
Composer: Mysore VaasudEvaacaarya
Language: Sanskrit
pallavi
mAmavatu shrI sarasvati kAmakOTi pITha vAsini
(mAmavatu)
anupallavi
kOmaLakara sarOja dhrta vINA sImAtIta vara vAGvibhUSaNa
(mAmavatu)
caraNam
rAjAdhi rAja pUjita caraNa rAjIva nayana ramaNIya vadana
madhyamakAlam: sujana manOratha pUraNa catura nijagaLa shObhita maNimaya hAra
aja bhava vandita vAsudEva caraNArpita sakala vEda sAra
(mAmavatu)
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Notation:
Notation in Tamil is available here on page 1, page 2, and page 3
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Other information:
Lyrics and notation contributed by Lakshman Ragde.
Song performed for karnATik by Preetham Adiga.
========
Song: bhajarE gOpaalam - Click to listen (N Ramani)!
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bajarE gOpaalam
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi (1 beat rest)
Composer: Sadaashiva BrumhEndrar
Language: Sanskrit
pallavi
bhajarE gOpAlam mAnasa bharE gOpAlam
caraNam 1
bhaja gOpAlam bhajita kucElam trijaganmUlam ditisutakAlam
caraNam 2
AgamasAram yOgavicAram bhOga sharIram bhuvanAdhAram
caraNam 3
kadanakaThOram kaluSa vidUram madanakumAram madhusamhAram
caraNam 4
natamandAram nandakishOram hatacANUram hamsavihAram
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Other information:
Lyrics contributed by Lakshman Ragde.
============
Song: cintayaami jagadamba
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cinthayami jagadhamba
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: jhampa
Composer: Jayacamaraaja WODeyar
Language: Telugu
pallavi
cintayAmi jagadamba cAmuNDAmba
citta ranjana divya kAnti ciprabha
(cintayAmi)
anupallavi
cirAmrita varSa nayanAm harSa varSadam
chandra prabha sama mandahAsa vadanAm
(cintayAmi)
caraNam
tatva prakAshaka karaka rUpa mrhadAtmika
jnAna tIrtha jyOti svarUpa
tumburu nAradAdi sEvita caranAravinda tAna
laya mUrchanayuta hindOLa prItam
(cintayAmi)
============
Song: dEvadEvam
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dEva dEvam
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: khaNDa caapu
Composer: Annamaacaarya
Language: Sanskrit
pallavi
dEvadEvam bhajE divya parabhAvam rAvaNAsura vairi raNa pungavam
caraNam 1
rAjavara shEkharam ravikula sudhAkaram AjAnubAhu nIlAbra kAyam
rAjAri kOdaNDa rAjadIkSA gurum rAjIva lOcanam rAmacandram
caraNam 2
pankajAsana vinuta parama nArAyaNam shankarArjita janaka cApadaLanam
lankA visOkSaNam lAlita vibhISaNam venkaTEsham sAdhu vibhuta vinutam
==========
Song: garuDa gamanaa
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garuDagamanA
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: roopakam
Composer: Annamaacaarya
Language: Sanskrit
pallavi
Garuda Gamanaa Garudadhwaja Narahari Namo Namo
caraNam 1
Kamalaapathi Kamalanaabha Kamalajajanmakaaranikaa Kamalanayana Kamalaabhjakula Namo Namo Hari Namo Namo
caraNam 2
Jaladhibhandhana Jaladhishayana Jalanidhimadhyajanthukala
Jalanidhijaamaadha Jaladhigambheera Sanaathanaa Namo Hari Namo
caraNam 3
Ghanadhivyaroopa Ghanamahimaanka Ghana Ghanaa Ghana Kaaya Vagna
Anaghashree Venkataadhipadheham Namo Namo Hari Namo Namo
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Meaning:
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Other information:
Lyrics contributed by Lakshman Ragde.
=============
Song: hE gOvinda
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hEy gOvindha
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: tishra Eka
Composer: Dayaananda Saraswati
Language: Sanskrit
pallavi
hE gOvinda hE gOpAla uddhAra mAm dInam atidInam balahInam
anupallavi
vihita vihInam viparyaya jnAnam sancita sarva kaluSa kalApam
caraNam
vEdam na jAnE vEdyam na jAnE dhyAnam na jAnE dhyAyam na jAnE
mantram na jAnE tantram na jAnE padyam na jAnE gadyam na jAnE
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Other information:
Lyrics contributed by Lakshman Ragde.
===========
Song: karuNaalaya nidhiyE
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karuNaalaya nidhiyE
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
OR
bilahari
29 dheera shankaraabharaNam janya
Aa: S R2 G3 P D2 S
Av: S N3 D2 P M1 G3 R2 S
taaLam: roopakam
Composer: VEdanaayakam PiLLai
Language:
pallavi
karuNAlaya nidhiyE dinamum un caraNAmbujam gatiye
(karuNAlaya)
anupallavi
sarva bhEda vinOda kAraNA parama sAdaka bhava nivAraNa
(karuNAlaya)
caraNam 1
nidam veLukka veLukka veN tUshu nimiSam tOrum niraiyumO mAshu
adupOl endan aghamurum Ashu agalavE un aruL oLi vIshu
akhilakOTi vishAla karpita sakala jIva dayALa arputa
(karuNAlaya)
caraNam 2
ingen sheigaigaL yAvum nikirSTam enakkup-puNNiyam enrum adirSTam
bhangam tIrkkil unakkuNDO naSTam paramanE aruLAyO udariSTam
bhAramAgavE paNNum bAdakam tIravE nI shaigai sAdakam
(karuNAlaya)
caraNam 3
amala bhAskara kOTi svarUpA akhaNDa sachchitAnanda pratApA
nirmala vEda vEdAnta nirUpA nirvikarpa niranjana dIpA
nIta pUraNa nilaya manjitA vEdanAyakan idaya ranjitA
(karuNAlaya)
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Song: maa ramaNan - Click to listen (Shivkumar Kalyanaraman)!
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maa ramaNan
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: roopakam
Composer: Paapanaasam Shivan
Language: Tamil
pallavi
maa ramaNan umaa ramaNan
malaraDi paNi manamE dinamE
(maa)
anupallavi
maara janakan kumaara janakan
malai mEl uraibavan paarkaDal
alai mEl tuyilbavan paavana
(citta swaram)
citta swaram
m, ndmg dmgs n.d. || m., d.m.n.d. sn.gs mg ||
m, gsn.s d.n.s, gs || m, gmdn dmgs mg ||
m, dndd ndmg md || m, nndd ngmd nS ||
M, GSMG MGSn GS || M, GSnd m,gs n.s ||
(maa)
caraNam
aayiram peyaraal azhaippinum
aayiram urumaarinum - uyar
taayin migu dayaaparan padam
tanjam enbavarai anjal enraruLum
(citta swaram)
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Meaning:
pallavi: maa - mother, to denote Lakshmi Lord Shiva (ramaNan), married to Uma
malaraDi - feet as beautiful as a flower
paNi - go down to (feet)
manamE - heart
dinamE - daily
The one married to Lakshmi (Vishnu) and the one married to Uma (Siva), I bow down to your feet as beautiful as a flower, my love, every day.
anupallavi: janakan - father
maara - god of love
kumaara - Shanmuga, Murugan, Manmadan
malai mEl - on the mountain (Kailash)
paarkaDal - the ocean upon which Vishnu lies
alai - wave
Father of the god of love (Vishnu), and the father of Murugan (Siva). The one who lives on the mountain Kailaash (Siva), even the one who lies on the ocean waves (Vishnu) upon his snake worships you.
caraNam: aayiram - 1000
peyar - name
azhai - to call
urumaarinum - changing form
uyar - highest respected
taay - mother
migu - more than
dayaaparan - Shiva
padam - feet
tanjam - surrender
anjal - don't be afraid
aruLum - to bless
Even if I call you with a 1000 names (done for Visnhu), even if you change forms a 1000 ways (Siva), with more respect than even given a mother, he blesses all at his feet. One who surrenders himself at his feet will not be afraid, because Shiva will bless you and take you with him.
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Notation:
Notation available here at Shivkumar Kalyanaraman's Krithi Archive. Also, listen to the music class here.
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Other information:
Lyrics contributed by Anuradha Suresh.
==========
Song: manasulOni marmamu - Click to listen (Shivkumar Kalyanaraman)!
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manasulOni marmamulu
raagam: sudda hindOLam (varam)
22 kharaharapriyaa janya
Aa: S G2 M1 D2 N2 S
Av: S N2 D2 M1 G2 S
OR
hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: dEshaadi
Composer: Tyaagaraaja
Language: Telugu
pallavi
manasulOni marmamu delusukO mAna rakSaka marakatAnga nA
anupallavi
inakulApta nIvEgAni vErevaru lEru Ananda hrdaya
caraNam
munupu prEmagala doravai sadA canuvu nElanado goppa gAdayyA
kani karambutO nIvELa nA karamu baTTu tyAgarAja vinuta
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Meaning:
Oh One with the radiant hue of the emerald! Pray be aware of the yearning of my mind. Oh Protector of devotees from shame and disgrace! Oh Benefactor of the solar race! You are the sole refuge and none else. Oh Aananda Hriday - the One with a heart brimming over with bliss! In the past, as my kindly Lord, you protected me with affection and compassion but of what avail is it if you do not deign to clasp my hand and grace me when I need you most?
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Notation:
Notation available here at Shivkumar Kalyanaraman's Krithi Archive.
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Other information:
Often thought to be composed in (and performed in) hindOLam, the song is actually in varamu (varam, suddha hindOLam), which has the higher chatushruti dhaivatam.
Lyrics provided by Lakshman Ragde.
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Song: maargam kaattiDuvaai
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maargam kaathiDuvaay
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: caapu
Composer: Ambujam Krishna
Language: Tamil
pallavi
mArgam kATTiDuvAi marakatavaNNA manamirangi san
(mArgam)
anupallavi
dAgamaDainda mAnenat-tavikkum en bhAvashOkam
tIravE pozhi karuNai Ezhai nAn uyya
(mArgam)
caraNam
nIti vazhi arindu nErmai kaDaippiDittu nAthanE kAdaluDan pAl koNDU
gItam pADi ambuja pAdam pOtri nija nAdOpAsanaiyAl nargati peravE
(mArgam)
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Song: nava laavaNya
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nava laavaNya
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: roopakam
Composer: H.N. Muttayyah Bhaagavatar
Language: Sanskrit
pallavi
nava lAvaNya rUpADHyE nAradAdi munIDyE
anupallavi
bhavAmbudhi taraNi caraNE bAlE karuNAlavAlE
caraNam 1
mahAmAyE mantra nilayE mahAdEvimahimAlayE mahEndra maNivalayE mahAbala
giri nilayE mahA mAtE poreyeLa varadE mahitE harikEsha niratE
caraNam 2
mahAdEva bhaktavarana mahishUrAdipana mahanIya jaya nAlvaDi mahipa shrI
krSnEndrana mahA mAtE poreyau varadE mahitE harikEsha niratE
===========
Song: Om namashivaaya
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Om namashivaaya
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: tishra Eka
Composer: Swarna VenkaTEsha Dikshitar
Language: Sankrit
pallavi
Om namashivAya shivaguru nandanAya OmkAra vAsAya OjasvinE namaha
(Om)
anupallavi
shrI nAtha vidyAdi susEvitAya siddhAnta tatvAya shrI shankarAya
(Om)
caraNam
muktva haraNAya mOkSa pradAya mUrkhAdi vandya mukha cidvilAsAya
shOkAdi haraNAya surEshvarAya sAnanda abhirAma purEshvarAya
(Om)
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Song: puraaraathayE
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puraaraatayE
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi (tishra gati)
Composer: H.N. Muttayyah Bhaagavatar
Language: Sanskrit
pallavi
purArAtayE namO puNyAtmanE namO
anupallavi
surEshAya sundarAya varENyAya vAgIshAya
caraNam
manasija mada haraNAya mAnitApja caraNAya dinakara shashi nayanAya dEvi manamOhanAya
sanakAdyupAsitAya sAmagAna rasikAya kanaka shaila sadanAya anagha harikEshAya
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Song: saamagaana lOlanE - Click to listen (Lakshmi Rangarajan)!
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samagaana lOlanEy
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi
Composer: Paapanaasam Shivan
Language: Sanskrit
Click to view in: Tamil
pallavi
Saamagaana lolane Sadashiva |
Shankarane Dayaakarane jaya || (Saamagaana)
anupallavi
Soomasundara Chandrashekara |
Soomaskandaa Shrithajana Subhakara | (Saamagaana)
caraNam
KaamAre PuraRe Kalpakka |
Naayika NaaTha Karalakara ||
Shree Maha Deva DeVa KapAli |
DeeNa RamaDasan Jathadara || (Saamagaana)
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Meaning:
Oh, one who enjoys saama (musical,vedic,appeasing) music, Oh omnipresent
Oh, Shankara, Oh merciful (giver of mercy), victory to you.
Oh, one adorned the moon, one having the moon on his head
One on whom the moon plays, one who does good for the people who seek his shelter
Oh, one who is the enemy of desires,
Oh. Lord of the goddess Kalpaganayaki , Oh, One who causes terrible things
Oh auspicious Great God, Oh, wearer of skulls
Oh, longhaired one worshipped by the meek Ramadasan.
Saama- Vedam, music, curative, gana- song, music, lolan- one who enjoys, daya-mercy, karan-giver (doer), jaya-victory, sOma- moon, skandaa �adorned, shritha- clinging, taking shelter, jana- people, subha- good, kAma- desire, ripuh- enemy, naatha- lord, karalam- terrible, shree- auspicious, mahA-great, deva-god, kapAli- God kapAli, wearing garland of skulls, deena �meek , jatha- hair, dhara-having, holding
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Other information:
Meaning contributed by Raghavan Jayakumar.
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Song: saamagaana lOlE
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saamagana lOlE
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam:
Composer: G.N. Baalasubramaniam
Language: Sanskrit
pallavi
saama gaana lOlE, salalita guNa jaalE amba
anupallavi
sOma bimba vadanE, nisseema mahima sadanE
saamaja mridu gadanE, kaamadaana nipuNE amba
(saama)
caraNam
kOmalaanga kaamEshwara, vaama bhaga sadanE
naama bhajita saadu jana, paapa kuta shamanE
taamasaadi guNa kalpita, taapatraya shamanE
tEmadaya rasa purita, hema (?) kamala nayanE amba
(saama)
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Song: saami ninnE kOri yunnaanu (varNam)
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saami ninnEkOri yunnaanu (varaNam)
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi
Composer: Pooci Sreenivaasa Aiyyangaar
Language: Telugu
pallavi
sAmi ninnE kOri yunnAnu sArasAkSa nikhila lOka nAyaka
anupallavi
kAmita phalamulicci kAvumayyA shrInivAsA
caraNam
nI sATi evarunnAru
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Meaning:
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Other information:
Lyrics contributed by Lakshman Ragde.
===========
Song: shyaama kalEbaram
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syama kalEbaram
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi
Composer: Tulaseevanam
Language:
pallavi
shyAma kalEbaram shrI shabarIshvaram shAstAram ArAdhayE krpAsAgaram
anupallavi
kAma samAna manObhi rAmAkaram kAmita dAtAram bhUtaughanEtAram
caraNam
shankara hari sutam samsAratArNam tunga mahIdhara shrnga vihAriNam
sankaTa hAriNam saubhAgya kAriNam mangala vana tulasIdAma dhAriNam
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Other information:
Lyrics contributed by Lakshman Ragde.
=========
Song: tillaanaa (dheem tatdheem)
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thillana (dhim tadhim)
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: roopakam
Composer: Pooci Sreenivaasa Aiyyangaar
Language: Telugu
pallavi
dhIm tatdhIm tatdhIm tanadhiranA nAdhrutAni tomdhrutAni
anupallavi
tAm tatdhIm tanana dhiranA tadharatAni udharatAni tAnOm
tanata dhItlAm tAm kiTata ttAmkiTa tAmkitata kiTata tadhingiNatOm
caraNam
mAra janaka madhusUdana marakatAnga nA moralanu vEga dIrcci Adarinci brOvumu shrInivAsa
shorkkaTTusvaram
tAm takiTa takataNamta jham, ; ; , nidanisaga ,,,, jham jham sagasanidanisaga
takadhimi taka jhaNuta tadhingiNatOm tadhingiNatOm tadhingiNatOm
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Meaning:
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Other information:
Lyrics contributed by Lakshman Ragde.
===
Song: tunai purindaruL
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thunai purindharuL
raagam: sudda hindOLam
22 kharaharapriyaa janya
Aa: S G2 M1 D2 N2 S
Av: S N2 D2 M1 G2 S
taaLam:
Composer: Paapanaasam Shivan
Language: Tamil
pallavi
thunai purindharul tharuna maadhavaa
surargal naayakaa ulaga naayakaa
(thunai)
anupallavi
manikkol maarbanae kamala naabanae
varadhaa nin padham charanam charanam
(tunai)
caraNam
vidhi panindhidum thudhi pugazhndhidum
vimala paadha sabhaa bhuvana moaganaa
patheetha paavanaa garuda vaaganaa
paramapurusha naaraayananae
(tunai)
============
Song: tyaagaraaja sadguru
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thyaagaraaja sadhguru
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: roopakam
Composer: H.N. Muttayyah Bhaagavatar
Language:
pallavi
tyAgarAja sadguruvani dalacavE O manasA
anupallavi
bhAgavata varENyulaina parama shAnta bhakta sadana
caraNam 1
kAvERi tIramuna shrIkara pancanadapuramuna bhU vara shrI rAmabhahma putruDugAna-
vadarinci shrI vAlmIkyAncuDane telpinaTTu tArakakai pAvanamagu rAmAmrta pAnamucE santasillina
caraNam 2
nAdasvarArNava shAstramu nAraduDanu grahimpaga bhEda rahitamagu tana sangItamucE
mAnavulaku mOdamaina krtula cEsi mOkSa phalamidaniccina vEda mUrti pAda bhakti migilinavA
caraNam 3
dharaNilO janiyincina tana janmamu nIDOra tombatyAru kOTi rAma nAmamantarangamuga
japinci parama pApa harikEshAptuDaina nAyantarangamu nelakonna
==========
Song: yaarE ranganaa - Click to lisetn (Radha Jayalakshmi)!
Click to view in: Tamil
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yaarE rangana
raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
taaLam: aadi
Composer: Purandara Daasar
Language: KannaDa
pallavi
,,Yaare rangana yaare krishnanaa |
yaare rangana kareya bhandhavanaa ||
anupallavi
gopaala krishnanaa paapa vinaashanaa |
eepari indhali kareya bhandavanaa || (Yaare rangana)
caraNam
venu vinodhana praana priyanaa |
jaaneyara rasana kareya bhandhavanaa || (Yaare rangana)
kari raaja varadhana parama purushanaa |
purandhara vitalanaa kareya bhandhavanaa ||
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Meaning: by PT Rajalakshmi and Suhasini Jayakumar
Who is Ranga? Who is Krishna? Who is Ranga? Has he come to call me?
Is it Gopalakrishna? Is he the one who redeems you of all sins? Is he the one who has come to call me in this way?
Is he the one who works wonders with his flute? The one as dear as life itself One who appreciates goodness Has he come to call me?
Is he the one who granted a boon to the elephant king Is he the prime, the formost Man Is he Purandara's Lord Vittala Has he come to call me?
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